Avid has updated Pro Tools to version 9.0.5. This is an officially qualified and recommended update for all Pro Tools 9 and Pro Tools HD 9 users on Mac OS X 10.6.x (Snow Leopard) and Windows 7. Although not officially qualified, Pro Tools 9.0.5 also adds public beta support for Apple's OS X Lion operating system. Issues Resolved in Pro Tools 9.0.5 When using Satellite Link or Video Satellite with two or more satellite systems, after fast-forwarding or rewinding, satellite systems would not always stop on the same frame as the admin system. All Satellite systems now stop on the same frame if the Stop command is issued from a Pro Tools system. If the Stop command is issued from a Video Satellite (Media Composer) system, a two-frame offset between the Video Satellite and the Pro Tools Satellites may occur. When Pro Tools is configured for Remote Mode operation, switching in and out of Remote Mode would take a long time. Pro Tools now switches in and out of Remote Mode in a shorter time. While Pro Tools is in X-OR Solo mode, disengaging solo from the MIDI Editor window caused the Solo mode to change unexpectedly to Latch, without changing the displayed mode. Disengaging solo from the MIDI Editor window no longer changes the Solo Mode. Large, densely-automated Pro Tools sessions could encounter out-of-memory errors or unexpected asserts during editing. Automation breakpoint memory usage has been optimized to reduce the total amount of memory required. The amount of reduction depends on the structure of the session and the amount of automation in the session. If out-of-memory errors persist, you can thin automation data (Edit > Automation > Thin All) to reduce the occurrence of these errors. Certain NewsCutter AAF files did not import into Pro Tools correctly. NewsCutter AAF files now import into Pro Tools correctly. The Original Time Stamp of MXF media files in an AAF export was not being exported correctly, resulting in a timecode offset. The Original Time Stamp of MXF media files in an AAF export is now correct. Certain commands were incorrectly listed in the undo queue, resulting in “error -35” messages. Commands that are cancelled during operation, and thus should not be available in the Undo Queue, are now properly not included in the Undo queue. HD Native firmware 1.02 (shipped with Pro Tools 9.0.4) is not compatible with Windows. HD Native firmware has been updated to 1.03 and is now fully compatible with all supported Mac and Windows configurations. Be sure to update HD Native firmware to version 1.03 before updating to Mac OS X 10.6.8 or Mac OS X 10.7.x (Lion). It is not possible to upgrade HD Native firmware from those versions of Mac OS X. It was not possible to set Pitch Bend value to zero while editing MIDI data. It is now possible to set Pitch Bend value to zero while editing MIDI data. Bounce to QuickTime would not work if the bounce source was multichannel (greater than stereo). Bounce to QuickTime now works with all source channel formats. Bouncing any source (including greater-than-stereo) to QuickTime results in a stereo file. Pro Tools would crash when swapping plug-ins while in Learn mode for HyperControl. Pro Tools does not crash when swapping plug-ins while in Learn mode for HyperControl. When Project Mix I/O was used in conjunction with a second control surface, the bank select function on the Project Mix I/O would cease to function. Project Mix I/O can now be used simultaneously with other control surfaces. When using HyperControl, the Sends Soft Key would not scroll through the Sends. When using HyperControl, the Sends Soft Key now scrolls through the Sends. When using HyperControl, it was possible to lose contact with a Master Fader track for a few seconds if the track was in the selected bank and was alternately controlled with a bank fader and a Master Fader. When using HyperControl, Master Fader control will not be lost if controlling the fader from two locations.   Pro Tools is a popular sound creation and production system; it is available in several different versions. Featuring professional hardware and software that work together with your computer, Pro Tools lets you easily accomplish everything from composing music and recording to editing and mixing sound for broadcast and post production - all within a single environment. Pro Tools|HD For the ultimate in audio quality and workflow efficiency, more music and post-production professionals use Pro Tools|HD systems than any other DAW. With superior sound quality, unmatched processing power, Pro Tools HD software, and the flexibility to scale the system to your needs, Pro Tools|HD provides the power to meet any challenge. Customizable systems deliver pristine audio clarity, powerful performance (with zero latency), and reliability. Work with up to up to 192 simultaneous audio tracks (256 virtual tracks). Compose and mix music with up to 128 simultaneous Instrument tracks. Fully integrated MIDI sequencing with up to 256 simultaneous MIDI tracks. Supports up to 192 kHz resolution and up to 160 channels of I/O. Gain full hands-on control with an ICON integrated console, C|24, or Command|8 control surface. Supports Mac OS X, Windows Vista (32-bit Business or Ultimate), and Windows XP-based computers.   Pro Tools LE Get many of the same audio tools in a more affordable package. Pro Tools LE systems come in a wide range of hardware interfaces, and include Pro Tools LE software, enabling you to create, edit and mix right in your home, project studio, or on the road. Flexible audio interfaces delivering sound quality, low latency, and reliability. Work with up to 48 simultaneous stereo audio tracks (expandable up to 128 tracks*). Compose and mix music with up to 32 simultaneous Instrument tracks. Fully integrated MIDI sequencing with up to 256 simultaneous MIDI tracks. Supports up to 96 kHz (audio interface dependent). Gain hands-on control with a C|24 or Command|8 control surface. Supports Mac OS X, Windows Vista (32-bit Business or Ultimate), and Windows XP-based computers. Pro Tools M-Powered Bring the power of Pro Tools to your M-Audio interface or peripheral. Pro Tools M-Powered is a standalone version of Pro Tools software that works exclusively with supported M-Audio hardware peripherals, enabling you to create, edit and mix. Works with many M-Audio USB and FireWire interfaces, guitar and DJ interfaces, audio cards, and keyboard controllers. Work with up to 48 simultaneous stereo audio tracks (expandable to 64 tracks**). Compose and mix music with up to 32 simultaneous Instrument tracks. Fully integrated MIDI sequencing with up to 256 simultaneous MIDI tracks. Supports up to 96 kHz resolution with certain M-Audio interfaces. Gain hands-on control with a Command|8 or M-Audio control surface. Supports Mac OS X, Windows Vista (32-bit Business or Ultimate), and Windows XP-based computers. * Achieve up to 128 mono (or 64 stereo) simultaneous audio tracks and 7.1 surround with the optional Complete Production Toolkit. Achieve up to 64 stereo or mono simultaneous audio tracks with the Music Production Toolkit 2 or DV Toolkit 2 option. full, free, download, no torrent, warez, crack, keygen, serial, MediaFire, HotFile, FileJungle, RapidShare, FileSonic, Wupload, FileServe, blogspot - -: : : -:      

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Avid updates Pro Tools to v9.0.5


 

Pro Tools is a popular sound creation and production system; it is available in several different versions. Featuring professional hardware and software that work together with your computer, Pro Tools lets you easily accomplish everything from composing music and recording to editing and mixing sound for broadcast and post production - all within a single environment.

Avid has updated Pro Tools to version 9.0.5. This is an officially qualified and recommended update for all Pro Tools 9 and Pro Tools HD 9 users on Mac OS X 10.6.x (Snow Leopard) and Windows 7. Although not officially qualified, Pro Tools 9.0.5 also adds public beta support for Apple's OS X Lion operating system.

Issues Resolved in Pro Tools 9.0.5

  • When using Satellite Link or Video Satellite with two or more satellite systems, after fast-forwarding or rewinding, satellite
    systems would not always stop on the same frame as the admin system. All Satellite systems now stop on the same frame if the Stop command is issued from a Pro Tools system. If the Stop command is issued from a Video Satellite (Media Composer) system, a two-frame offset between the Video Satellite and the Pro Tools Satellites may occur.

  • When Pro Tools is configured for Remote Mode operation, switching in and out of Remote Mode would take a long time. Pro Tools now switches in and out of Remote Mode in a shorter time.

  • While Pro Tools is in X-OR Solo mode, disengaging solo from the MIDI Editor window caused the Solo mode to change
    unexpectedly to Latch, without changing the displayed mode. Disengaging solo from the MIDI Editor window no longer changes the Solo Mode.

  • Large, densely-automated Pro Tools sessions could encounter out-of-memory errors or unexpected asserts during editing. Automation breakpoint memory usage has been optimized to reduce the total amount of memory required. The amount of reduction depends on the structure of the session and the amount of automation in the session. If out-of-memory errors persist, you can thin automation data (Edit > Automation > Thin All) to reduce the occurrence of these errors.

  • Certain NewsCutter AAF files did not import into Pro Tools correctly. NewsCutter AAF files now import into Pro Tools correctly.

  • The Original Time Stamp of MXF media files in an AAF export was not being exported correctly, resulting in a timecode
    offset. The Original Time Stamp of MXF media files in an AAF export is now correct.

  • Certain commands were incorrectly listed in the undo queue, resulting in “error -35” messages. Commands that are cancelled during operation, and thus should not be available in the Undo Queue, are now properly not included in the Undo queue.

  • HD Native firmware 1.02 (shipped with Pro Tools 9.0.4) is not compatible with Windows. HD Native firmware has been updated to 1.03 and is now fully compatible with all supported Mac and Windows configurations. Be sure to update HD Native firmware to version 1.03 before updating to Mac OS X 10.6.8 or Mac OS X 10.7.x (Lion). It is not possible to upgrade HD Native firmware from those versions of Mac OS X.

  • It was not possible to set Pitch Bend value to zero while editing MIDI data. It is now possible to set Pitch Bend value to zero while editing MIDI data.

  • Bounce to QuickTime would not work if the bounce source was multichannel (greater than stereo). Bounce to QuickTime now works with all source channel formats. Bouncing any source (including greater-than-stereo) to QuickTime results in a stereo file.

  • Pro Tools would crash when swapping plug-ins while in Learn mode for HyperControl. Pro Tools does not crash when swapping plug-ins while in Learn mode for HyperControl.

  • When Project Mix I/O was used in conjunction with a second control surface, the bank select function on the Project Mix I/O would cease to function. Project Mix I/O can now be used simultaneously with other control surfaces.

  • When using HyperControl, the Sends Soft Key would not scroll through the Sends. When using HyperControl, the Sends Soft Key now scrolls through the Sends.

  • When using HyperControl, it was possible to lose contact with a Master Fader track for a few seconds if the track was in
    the selected bank and was alternately controlled with a bank fader and a Master Fader. When using HyperControl, Master Fader control will not be lost if controlling the fader from two locations.

 

Pro Tools is a popular sound creation and production system; it is available in several different versions. Featuring professional hardware and software that work together with your computer, Pro Tools lets you easily accomplish everything from composing music and recording to editing and mixing sound for broadcast and post production - all within a single environment.

 

Pro Tools|HD
For the ultimate in audio quality and workflow efficiency, more music and post-production professionals use Pro Tools|HD systems than any other DAW. With superior sound quality, unmatched processing power, Pro Tools HD software, and the flexibility to scale the system to your needs, Pro Tools|HD provides the power to meet any challenge.

  • Customizable systems deliver pristine audio clarity, powerful performance (with zero latency), and reliability.

  • Work with up to up to 192 simultaneous audio tracks (256 virtual tracks).

  • Compose and mix music with up to 128 simultaneous Instrument tracks.

  • Fully integrated MIDI sequencing with up to 256 simultaneous MIDI tracks.

  • Supports up to 192 kHz resolution and up to 160 channels of I/O.

  • Gain full hands-on control with an ICON integrated console, C|24, or Command|8 control surface.

  • Supports Mac OS X, Windows Vista (32-bit Business or Ultimate), and Windows XP-based computers.

 

Pro Tools|HDX
As a dedicated professional, you’re looking for faster, higher quality, and easier ways to record, edit, and mix the most demanding productions. Meet the more powerful, new generation of Pro Tools|HD—Pro Tools|HDX. Get more tracks, more headroom, and up to 5x more dedicated DSP power to tackle even the most massive music and post-production projects with the confidence that comes with guaranteed performance.

 

Pro Tools LE
Get many of the same audio tools in a more affordable package. Pro Tools LE systems come in a wide range of hardware interfaces, and include Pro Tools LE software, enabling you to create, edit and mix right in your home, project studio, or on the road.

  • Flexible audio interfaces delivering sound quality, low latency, and reliability.

  • Work with up to 48 simultaneous stereo audio tracks (expandable up to 128 tracks*).

  • Compose and mix music with up to 32 simultaneous Instrument tracks.

  • Fully integrated MIDI sequencing with up to 256 simultaneous MIDI tracks.

  • Supports up to 96 kHz (audio interface dependent).

  • Gain hands-on control with a C|24 or Command|8 control surface.

  • Supports Mac OS X, Windows Vista (32-bit Business or Ultimate), and Windows XP-based computers.

Pro Tools M-Powered
Bring the power of Pro Tools to your M-Audio interface or peripheral. Pro Tools M-Powered is a standalone version of Pro Tools software that works exclusively with supported M-Audio hardware peripherals, enabling you to create, edit and mix.

  • Works with many M-Audio USB and FireWire interfaces, guitar and DJ interfaces, audio cards, and keyboard controllers.

  • Work with up to 48 simultaneous stereo audio tracks (expandable to 64 tracks**).

  • Compose and mix music with up to 32 simultaneous Instrument tracks.

  • Fully integrated MIDI sequencing with up to 256 simultaneous MIDI tracks.

  • Supports up to 96 kHz resolution with certain M-Audio interfaces.

  • Gain hands-on control with a Command|8 or M-Audio control surface.

  • Supports Mac OS X, Windows Vista (32-bit Business or Ultimate), and Windows XP-based computers.

* Achieve up to 128 mono (or 64 stereo) simultaneous audio tracks and 7.1 surround with the optional Complete Production Toolkit. Achieve up to 64 stereo or mono simultaneous audio tracks with the Music Production Toolkit 2 or DV Toolkit 2 option.

Pro Tools Software Comparison

Syntheway Virtual Musical Instruments © 2004-2012 Daniel Alberto Laiseca| Buenos Aires - Argentina|

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