Bassesland Virtual Bass: Acoustic, Electric and Synth Basses in Audio Unit, VST and VST3 Plugins for macOS (Logic Pro, GarageBand, Cubase, REAPER, Ableton Live, Studio One)
Bassesland Virtual Electric, Acoustic and Synth Basses Audio Unit, VST and VST3 Plugins for macOS

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Bassesland

Virtual Electric, Acoustic and Synth Bass

Audio Unit, VST and VST3 Plugins for Mac

Bassesland is a virtual bass that emulates a wide range of sounds of electric, acoustic and synthesizer basses. Available for macOS as plugin in Audio Unit (.component), VST (.vst) and VST3 (.vst3) formats

  


Bassesland is a virtual bass that emulates a wide range of sounds of electric, acoustic and synthesizer basses. Available for macOS as plugin in Audio Unit (.component), VST (.vst) and VST3 (.vst3) formats.

The sounds ranging from several electric bass guitars, including harmonics, slides, slaps, muted, wah effect and fills, going by an upright acoustic double bass, an electro acoustic bass to synth bass emulations based on vintage synthesizer like ARP 2600, Clavia Nord Lead, Kawai K3, Korg 01/W, Minilogue, MS2000, Memorymoog, Micromoog 2090, Minimoog Model D, Little Phatty, Minitaur, Prodigy, System 55, Taurus Bass Pedal, Oberheim OB-Xa, OSC OSCar, Roland Juno-60, Juno-106, JX-3P, JX-8P, MC-909, TB-303 and Yamaha DX7.

The Audio Unit Component, VST and VST3 plug-ins requires of a MIDI Controller to play this virtual instrumentof and a compatible host, digital audio workstation (DAW) or MIDI sequencer that supports Audio Units and VST technology. They can be "plugged in" to process audio by applications such as Logic Pro, GarageBand, Cubase, Ableton Live, REAPER, Studio One Professional, Ardour, MainStage and Digital Performer among others.

The software package is distributed via Internet in an Apple Disk Image DMG file and compatible with macOS and all previous OS X.

Please, test extensively the demo version of this product in your host to make sure there are no misbehaviors before purchasing.

Features 

• Quick selector to switch between different preset sounds:

#

List of Preset Sounds / Demo

1

Upright Acoustic Double Bass

2

Upright Acoustic Double Bass (Pizzicato)

3

Electro Acoustic Bass

4

Picked Electric Bass and Harmonics

5

Fingered Electric Bass and Harmonics

6

Fretless Electric Bass

7

Jazz Electric Bass

8

Funk Groove Electric Bass

9

Fuzz Overdrive Electric Bass

10

Wah Electric Bass

11

Muted Electric Bass

12

Slapped Electric Bass

13

Bass Slides

14

Bass Slides and Fills

15

ARP 2600 Bass

16

Clavia Nord Lead Acid Bass

17

Kawai K3 Reso Bass

18

Korg 01/W Bass Suite

19

Korg 01/W Xpress Bass

20

Korg Minilogue Dirty Bass

21

Korg MS2000 Synth Bass

22

Memorymoog Bass

23

Micromoog 2090 Bass

24

Minimoog Model D Bass

25

Moog Little Phatty MoogPerc

26

Moog Minitaur Reso Bass

27

Moog Prodigy Bass

28

Moog System 55 Modular Synth

29

Moog Taurus 1 Bass Pedal

30

Moog Taurus 2 Bass Pedal

31

Moog Taurus 3 Bass Pedal

32

Oberheim OB-Xa Buzz Bass

33

OSC OSCar Bass

34

Roland Juno-60 Sub-Bass

35

Roland Juno-106 Fat Bass

36

Roland JX-3P Juicy Funk

37

Roland JX-8P Synth Bass

38

Roland MC-909 Acid Bass

39

Roland TB-303 Bass Line

40

Yamaha DX7 Velo Bass

  

• Tremolo Section: The low-frequency oscillator knobs apply modulation to the selected instrument. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo to a huge variety of acoustic, electric and synthetic emulations available. Enabling 'Destination' by selecting 'Panning' mode applies a rhythmic variation in amplitude in the stereo field.

Ø Rate: This knob controls the frequency. Turn clockwise for a faster modulation rate.
Ø Depth: This knob controls the amplitude. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect.

The following combo boxes settings adds motion or variability to sounds:

Ø WaveForm: Switches between ‘Triangle’, ‘Sine’, ‘Saw’, ‘Square’ and ‘Exponential’ waveforms.
Ø 
Source: Switches between ‘Modulation Wheel’, ‘Aftertouch’ and ‘Velocity’.
Ø 
Destination: Switches between ‘Pitch’, ‘Expression’ and ‘Pan’ modulation.

       

• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:

Ø Attack determines the time it takes for the note to get to the maximum level.
Ø Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
Ø Sustain determines the level of the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
Ø Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.

• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.

Ø Pitch Bend center position: is normal pitch.
Ø Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
Ø Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.

• Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.

• Filter Type. Combo box to switch between the following options:

Ø Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
Ø High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
Ø None: No filter is applied. 
Ø Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.

• Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:

Ø Amplitude range (low) - sets amplitude range, lower bound (dB) 
Ø Amplitude range (high) - sets amplitude range, upper bound (dB)

• Volume: Adjusts the volume of the instrument.

• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.

• Spatial auralization: Synthesizer emulations brings a stereophonic sound panning to increase the audible perspective, even without using the built-in reverberation or LFO pan effect.

• MIDI CC Automation: Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW, such as: LFO depth (CC#1), expression (CC#11), volume (CC#7), pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73, Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).

Free Download Akkordica Virtual Accordion, Harmonica and Melodica VST Plugin Software for Windows and macOS and OS X

  

 


 

Price: USD 49,90 via PayPal

 

For existing registered users of any Bassesland Virtual Bass format, you can orderFor existing registered users of any Bassesland Virtual Bass format, you can order using a special Crossgrade order page located here. using a special Crossgrade order page located here.

 

Promo: Upgrade to Bassesland v2.0 with a reasonable low-fee from previous VST/AU versions:

 


Buy Banjodoline Virtual Banjo and Mandolin
 Sampler and Sample Library (Audio Unit and VST for Mac OS X and macOS Sierra) online through PayPal

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  • Please check to make sure you are using a valid PayPal email address before ordering, because after your purchase and usually in less than 24 hours, we will send to your assigned email address a link in order to download the registered version of your selected software in a DMG file (Apple Disk Image format, Volume Type: HFS+ Mac OS Extended).

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Syntheway offers the demo versions for potential customers to have adequate opportunity to assess the value of these products prior to purchase a license. Unlike physical goods, electronically distributed software can be copied. Once a purchase has been made, it is unfortunately not possible for us recovering that intangible copy downloaded from Syntheway. Therefore, Syntheway does not accept refunds, returns, or exchanges.


 

 

Mac®, macOS® and Audio Units™are a trademark of Apple Inc., registered in the U.S. and other countries.

VST is a trademark of Steinberg Soft- und Hardware GmbH.

ARP 2600 is a trademark of ARP Instruments, Inc.

Little Phatty, Memorymoog, Micromoog 2090, Minimoog Model D, Minitaur, Prodigy, System 55 and Taurus Bass Pedals are trademarks of Moog Music, Inc.

Kawai K3 is a registered trademark of Kawai Musical Instruments Mfg. Co., Ltd.

Korg 01/W, Minilogue and MS2000 are trademarks of Korg Inc.
Nord Lead is a registered trademark of Clavia Digital Musical Instruments

Juno-60, Juno-106, JX-3P, JX-8P, C-909 and TB-303 are registered trademarks of Roland Corporation.

OSCar is a trademark of Oxford Synthesiser Company

OB-Xa is a trademark of Oberheim Electronics.

Yamaha DX7 is a registered trademark of Yamaha Corporation.

These trademarks are not affiliated or associated with Syntheway and are mentioned only to describe the types of sounds emulated by Bassesland Virtual Bass.



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