Bassesland Virtual Bass: Acoustic, Electric and Synth Basses in Audio Unit, VST and VST3 Plugins for macOS (Logic Pro, GarageBand, Cubase, REAPER, Ableton Live, Studio One)
Bassesland is a virtual bass that emulates a wide range
of sounds of electric, acoustic and synthesizer basses.
Available
for macOS as plugin in
Audio
Unit (.component), VST (.vst) and VST3 (.vst3) formats.
The sounds
ranging from several electric bass guitars, including
harmonics, slides, slaps, muted, wah effect and fills, going
by an upright acoustic double bass, an electro acoustic bass
to synth bass emulations based on vintage synthesizer like
ARP 2600, Clavia Nord Lead, Kawai K3, Korg 01/W, Minilogue,
MS2000, Memorymoog, Micromoog 2090, Minimoog Model D, Little
Phatty, Minitaur, Prodigy, System 55, Taurus Bass Pedal,
Oberheim OB-Xa, OSC OSCar, Roland Juno-60, Juno-106, JX-3P,
JX-8P, MC-909, TB-303 and Yamaha DX7.
The Audio Unit
Component, VST and VST3 plug-ins requires of a MIDI
Controller to play this virtual instrumentof and a
compatible host, digital audio workstation (DAW) or MIDI
sequencer that supports Audio Units and VST technology. They
can be "plugged in" to process audio by applications such as
Logic Pro, GarageBand, Cubase, Ableton Live, REAPER, Studio
One Professional, Ardour, MainStage and Digital Performer
among others.
The software
package is distributed via Internet in an Apple Disk Image
DMG file and compatible with macOS and all previous OS X.
• Quick selector to switch between different preset sounds:
#
List of Preset Sounds / Demo
↓
1
Upright
Acoustic Double Bass
2
Upright Acoustic Double Bass
(Pizzicato)
3
Electro Acoustic Bass
4
Picked Electric Bass and
Harmonics
5
Fingered Electric Bass and
Harmonics
6
Fretless Electric Bass
7
Jazz Electric Bass
8
Funk Groove Electric Bass
9
Fuzz Overdrive Electric Bass
10
Wah Electric Bass
11
Muted Electric Bass
12
Slapped Electric Bass
13
Bass Slides
14
Bass Slides and Fills
15
ARP 2600 Bass
16
Clavia Nord Lead Acid Bass
17
Kawai K3 Reso Bass
18
Korg 01/W Bass Suite
19
Korg 01/W Xpress Bass
20
Korg Minilogue Dirty Bass
21
Korg MS2000 Synth Bass
22
Memorymoog Bass
23
Micromoog 2090 Bass
24
Minimoog Model D Bass
25
Moog Little Phatty MoogPerc
26
Moog Minitaur Reso Bass
27
Moog Prodigy Bass
28
Moog System 55 Modular Synth
29
Moog Taurus 1 Bass Pedal
30
Moog Taurus 2 Bass Pedal
31
Moog Taurus 3 Bass Pedal
32
Oberheim OB-Xa Buzz Bass
33
OSC
OSCar Bass
34
Roland Juno-60 Sub-Bass
35
Roland Juno-106 Fat Bass
36
Roland JX-3P Juicy Funk
37
Roland JX-8P Synth Bass
38
Roland MC-909 Acid Bass
39
Roland TB-303 Bass Line
40
Yamaha DX7 Velo Bass
• Tremolo Section: The low-frequency oscillator knobs apply modulation to
the selected instrument. By using the LFO to modulate various aspects of the
audio signal, you can apply effects such as vibrato or tremolo to a huge
variety of acoustic, electric and synthetic emulations available. Enabling 'Destination'
by selecting 'Panning' mode applies a rhythmic variation in amplitude in the
stereo field.
Ø Rate:
This knob controls the frequency. Turn clockwise for a faster
modulation rate. Ø Depth:
This knob controls the amplitude. With a lower setting, the
resulting modulation is subtle, while a higher depth will result
in a much more extreme effect.
The following combo
boxes settings adds motion or variability to sounds:
ØWaveForm: Switches between
‘Triangle’, ‘Sine’, ‘Saw’, ‘Square’ and ‘Exponential’ waveforms.
ØSource: Switches between ‘Modulation
Wheel’, ‘Aftertouch’ and ‘Velocity’. ØDestination: Switches between
‘Pitch’, ‘Expression’ and ‘Pan’ modulation.
•
ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
Ø Attack
determines the time it takes for the note to get to the maximum level. Ø Decay
determines the time it takes for the note to go from the maximum level
to the sustain level (controlled by Sustain). Ø Sustain
determines the level of the sound is played at while the note is held (after
the other envelope states, Attack and Decay, have been completed). Ø Release
determines the time it takes for the note to fall from the sustain level
to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected
instrument.
Ø Pitch
Bend center position: is normal pitch. Ø Pitch
Bend down: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved to the left. Ø Pitch
Bend up: Specifies the amount of pitch change that will occur when the
pitch bend/modulation lever is moved the right.
• Reverb built-in: provides a spaciousness and depth to simulate the
sound reflections from walls, floors and ceilings following a sound created
in an acoustically reflective environment. Small rooms can be modeled as
well as large spaces.
• Filter Type. Combo box to switch between the following options:
Ø Low
Pass (LPF): a filter that passes signals with a frequency lower than a
certain cutoff frequency and attenuates signals with frequencies higher
than the cutoff frequency. Ø High
Pass (HPF): a filter that passes signals with a frequency higher than a
certain cutoff frequency and attenuates signals with frequencies lower
than the cutoff frequency. Ø None:
No filter is applied. Ø Cutoff
Frequency Filter: Sets the cutoff frequency for the low pass and high
pass filters.
• Amplitude Range Parameters: It controls the loudness, the way in which we
perceive amplitude.The sensitivity level is set by the user:
• Panning potentiometer control: Set the panning of the instrument. Adjusts
the stereo pan position of the signal output, which determines how much of
signal is sent to the left and right channels.
• Spatial
auralization: Synthesizer emulations brings a stereophonic sound panning to increase the
audible perspective, even without using the built-in reverberation or LFO
pan effect.
• MIDI CC Automation: Implementation of MIDI Continuous Controller
parameters for use with external hardware control via DAW, such as: LFO
depth (CC#1), expression (CC#11), volume (CC#7),
pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73,
Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
For existing registered users of
any Bassesland Virtual Bass
format, you can order using
a special
Crossgrade order page located
here.
Promo: Upgrade to
Bassesland v2.0
with a reasonable low-fee from previous VST/AU versions
:
Buy Bassesland Virtual Bass
Audio Unit, VST and VST3 for macOS online through PayPal
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Syntheway offers the demo versions for potential customers to
have adequate opportunity to assess the value of these
products prior to purchase a license. Unlike physical goods,
electronically distributed software can be copied. Once a
purchase has been made, it is unfortunately not possible for
us recovering that intangible copy downloaded from
Syntheway. Therefore, Syntheway does not accept refunds,
returns, or exchanges.
Mac®, macOS® and Audio Units™are
a trademark of Apple Inc., registered in the U.S. and other
countries.
VST™ is a trademark of Steinberg Soft- und Hardware GmbH.
ARP 2600 is a trademark
of ARP Instruments, Inc.
Little Phatty,
Memorymoog, Micromoog 2090, Minimoog Model D, Minitaur,
Prodigy, System 55 and
Taurus Bass Pedals are trademarks of Moog Music, Inc.
Kawai
K3 is a registered trademark of Kawai Musical Instruments Mfg. Co., Ltd.
Korg
01/W, Minilogue and MS2000 are trademarks of Korg Inc.
Nord Lead is a
registered trademark of Clavia Digital Musical Instruments
Juno-60, Juno-106, JX-3P, JX-8P,
C-909 and TB-303
are registered trademarks of Roland Corporation.
OSCar is a trademark of
Oxford Synthesiser Company
OB-Xa is a trademark of
Oberheim Electronics.
Yamaha DX7 is a registered trademark of Yamaha Corporation.
These trademarks are not affiliated or associated with
Syntheway and are mentioned only to describe the types of
sounds emulated by Bassesland Virtual Bass.